Several of the best arresting videos from the aftermost few months — Omar Apollo’s “Invincible,” Bad Bunny’s “Moscow Mule,” Rosalia’s “Candy” — accept one affair in common: a director’s acclaim that reads “By STILLZ.” Though the name seems to be everywhere, there’s not abundant advice out there about who Stillz is. His Instagram anniversary is accepted for abrupt Polaroid shots, à la Andy Warhol, that accept captured artists such as Daddy Yankee, ASAP Rocky, and Jennifer Lopez at their best accustomed — but the lens is consistently angry on addition else.
That’s how Stillz brand it. The 23-year-old columnist and artistic director, whose absolute name is Matias Vasquez, grew up alfresco of Miami. He best up a camera back he was about 15 and started cutting his accompany skateboarding. Eventually, he alone out of academy and confused to New York, area he affiliated with artery photographers who formed in the music world. One alien him to J Balvin, at the time an advancing reggaeton artisan in the city. Stillz began demography photos for Balvin, which led addition adolescent artisan to ascertain his work: Bad Bunny.
The Puerto Rican superstar gave him a gigantic, career-changing breach administering his 2020 video for “Vete.” “It was such a big bound from the baby actuality that I had done, and I had to appealing abundant aloof affiance them that it was activity to be amazing,” Stillz says. The video, abounding with off-kilter shots that played with angle and art-world inspiration, got hundreds of millions of angle and fabricated waves. “When the video came out, it was absolutely different, I feel, for a Latin video,” he says.
Bad Bunny put him in allegation of added videos, and now Stillz is one of the best in-demand admiral in the game. “I achievement I’m aperture doors,” he says. “I feel like a big affair back you’re starting is accepting bodies to assurance you and to accept in accomplishing things differently. Some videos now are starting to accomplish a shift.”
Stillz joined RS to allocution about some of his best memorable stills.
Omar Apollo beatific Stillz his song “Invincible,” and the two of them came up with a trippy, aberrant video that follows two characters entering an adorable afterlife afterwards a biologic overdose.
“We attempt on a abate architecture film—16—so it could be added chapped and grittier. Later, with all this afterlife stuff, we attempt on cool apple-pie film, and we absolutely pushed the assimilation and fabricated it absolutely colorful. Andrés Gudiño is the artisan [who fabricated the masks]. Omar was the one who showed him to me. He makes these crazy sculptures of huge heads. He was aloof like, “Let’s do article with this.”
A characterization abettor accomplished out to Stillz about demography this activity on and alive on a abstraction that Lil Nas X had appear up with.
“Nas had beatific the idea, and it was genius. What I like about him is that he has a absolutely bright vision, and he’s not abashed to booty risks and do crazy things. He’s aloof amazing. We capital to abduction aggregate from a accurate point of view, and accomplish abiding it acquainted like you’re watching a movie. The accomplished abbey affair and everything, those were his ideas. I anticipate my job was aloof to acquaint the adventure the best way possible.”
The mega-producer Tainy and Stillz brought this accord to activity with apricot visuals about a dejected monster and the adulation of his life.
“This was attempt over the amount of three or four months. We started to anticipate about puppets, and that’s back the abstraction of a Area the Wild Things-inspired monster came. I had been watching a lot of Spike Jonze movies. I like those affecting belief that don’t accept a blessed ending. At atomic commercially, there’s a lot of things that accept to end happily. I like the ones that don’t.”
Bad Bunny had apparent an unreleased music video that Stillz did for the Puerto Rican artisan Mora, and he asked Stillz to absolute “Vete,” which concluded up actuality Stillz’ aboriginal big-budget addition to the world.
“I was cool nervous. ‘Vete’ was candidly a admixture of what the song was adage and some references that we begin in some photo books and from a columnist that I absolutely love, Jason Peterson. In my videos, there’s a lot of references from painters, and additionally from old movies and things that I like — again aloof accidental things that you apprehend of or see in absolute life, like back you go about and you see article absolutely strange, and you’re like, ‘Damn. This is awe-inspiring as fuck, man.’”
This allotment appears in Rolling Stone’s anniversary Hot List, in the July/August affair of the magazine.
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